“Scarecrow”: Tragic Amusement
May 22nd, 2013 | by Cole Hutchison
Jerry Schatzberg’s unheralded road movie “Scarecrow” reminds us that things are never quite as easy as they are easily forgotten
May 22nd, 2013 | by Cole Hutchison
Jerry Schatzberg’s unheralded road movie “Scarecrow” reminds us that things are never quite as easy as they are easily forgotten
May 9th, 2013 | by Paul Anthony Johnson
Film Forum revisits "Badlands," Terrence Malick's strange, beautiful debut and one of the most striking American movies of the '70s
April 24th, 2013 | by Paul Anthony Johnson
The 1923 slapstick comedy "Safety Last," which stars Harold Lloyd, screens from April 26-30 at Film Forum.
April 21st, 2013 | by David Fitzgerald
Shirley Clarke's “Portrait of Jason” is a masterpiece of documentary filmmaking that challenges its viewer to choose sides between truth and fiction
April 17th, 2013 | by John Oursler
Jean-Pierre Melville's final film, "Un Flic," is also his most Melvilian, which makes it a gorgeously unique noir caper
April 10th, 2013 | by Michael Rawls
Frank Tashlin’s “Will Success Spoil Rock Hunter?” runs from April 12-18 at Film Forum
March 21st, 2013 | by David Fitzgerald
Michael Cimino's legendary box-office flop “Heaven's Gate” has acquired the patina of a near masterpiece
March 14th, 2013 | by Paul Anthony Johnson
For the next two weeks, the most disquietingly modern film playing in New York will be Fritz Lang’s 1931 masterpiece "M."
March 10th, 2013 | by Claire E. Peters
BAM’s Isabelle Adjani retrospective showcases the work of one of the most powerful and bewitching actresses of our time
March 6th, 2013 | by Mónica López-González
Jean-Luc Godard’s “Le Petit Soldat” is a raw visual experiment examining politics, torture, romance, and, above all, le cinéma